Showing posts with label Cormac McCarthy. Show all posts
Showing posts with label Cormac McCarthy. Show all posts

Wednesday, August 1, 2012

No Country for old men - Cormac McCarthy



(..)
"He stood there looking out across the desert. So quiet. Low hum of wind in the wires. High bloodweeds along the road. Wiregrass and sacahuista. Beyond in the stone arroyos the tracks of dragons. The raw rock monuntains shadowed in the late sun and to the east the shimmering abscissa of the desert plains under a sky where raincurtains hung dark as soot all along the quadrant. That god lives in silence who has scoured the following land with salt and ash. He walked back to the cruiser and got in and pulled away."

(..)
"I tried to put things in perspective but sometimes you're just too close to it. It's a life's work to see yourself for what you really are and even then you might be wrong. And that is something I don't want to be wrong about."

Tuesday, March 8, 2011

Cormac McCarthy - The Crossing

"He wrapped himself in the blanket and watched her. When those eyes and the nation to which they stood witness were gone at last with their dignity back into their origins there would perhaps be other fires and other witnesses and other worlds otherwise beheld. but they would not be this one."


(...)
"They seemed in a state of improvident and hopeless vigilance. Like men committed upon uncertain ice." (193)

Sunday, January 30, 2011

Cormac McCarthy - All the Pretty Horses II

"The house was built in eighteen seventy-two. Seventy-seven years later his grandfather was still the first man to die in it. What others had lain in state in that hallway had been carried there on a gate or wrapped in a wagonsheet or delivered crated up in a raw pineboard box with a teamster standing at the door with a bill of lading. The ones that came at all. For the most part they were dead by rumor. A yellowed scrap of newsprint. A letter. A telegram. The original ranch was twenty-three hundred acres out of the old Meusebach survey of the Fisher-Miller grant, the original house a oneroom hovel of sticks and wattle. That was in eighteen sixty-six. In that same year the first cattle were driven through what was still Bexar County and across the north end of the ranch and on to Fort Sumner and Denver. Five years later his great-grandfather sent six hundred steers over that same trail and with the money he built the house and by then the ranch was already eighteen thousand acres. In eighteen eighty-three they ran the first barbed wire. By eighty-six the buffalo were gone. That same winter a bad die-up. In eighty-nine Fort Concho was disbanded.

His grandfather was the oldest of eight boys and the only one to live past the age of twenty-five. They were drowned, shot, kicked by horses. they perished in fires. They seemed to fear only dying in bed. The last two were killed in Puerto Rico in eighteen ninety-eight and in that year he married and brought his bride home to the ranch and he must have walked out and stood looking at his holdings and reflected long upon the ways of God and the laws of primogeniture. Twelve years later when his wife was carried off in the influenza epidemic they still had no children. A year later he married his dead wife's older sister and a year after this the boy's mother was born and that was all the borning that there was. The Grady name was buried with that old man the day the northern blew the lawnchairs over the dead cemetery grass. The boy's name was Cole. John Grady Cole."

Friday, January 14, 2011

Cormac McCarthy - All the Pretty Horses I

"By midmorning the rain had stopped. Water dripped from the trees in the alameda and the crepe hung in soggy strings. He stood with the horses and watched the wedding party emerge from the church. The groom wore a dull black suit too large for him and he looked not uneasy but half desperate, as if unused to clothes at all. The bride was embarrassed and clung to him and they stood on the steps for their photograph to be taken and in their antique formalwear posed there in front of the church they already had the look of old photos. In the sepia monochrome of a rainy day in the lost village they'd grown old instantly"

[I wonder whether Cole recognized himself in that faded picture. Frozen and from another, then already gone, world]

Friday, November 26, 2010

Cormac McCarthy - Blood Meridian I

"When the coach had passed they donned their hats again and moved on. The dogs stood tail to tail. Two other dogs sat a little apart, squatting loosely in their skins, just frames of dogs in napless hides watching the coupled dogs and then watching the prisoners clanking away up the street. All lightly shimmering in the heat, these lifeforms, like wonders much reduced. Rough likenesses thrown up at hearsay after the things themselves had faded in men's minds."