"The first time I saw Dulce Veiga, and there were only two times, she was sitting in a green velvet armchair. A bergère, although in those days I didn't even know that was what they were called. I knew so little of anything in those days that, later, when I tried to describe it in my mind and on paper, I said that it was one of those classic armchairs, with a high back and something like two wings jutting out at the height of the head of the person sitting. for some reason, even today, when I think of it, I also inevitably think of a black and white movie from the forties or early fifties."
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